Friday, 21 August 2015

A sneak peak of Glastonbury Festival

Swingin' around

As the gloomiest depths of festival blues began to kick in following on from my magical weekend at Gottwood, my best friend spontaneously thought of the best idea....to try out Glastonbury for a couple of days! Being a first timer at Glasto and only watching it on TV I didn't know what to expect (I've always been a little intimidated going considering how big it is); however actually being there is on a whole other level.


At Glasto there is something there for every music head. Whether you're into your Indie, Rock, Pop or more, the line up is infinite. Glasto is basically the size of a city, with an incredible amount of stages and stalls offering music, theatre, poetry and even holistic healing. Therefore, it is vital that you guys consider this just a review of my personal highlights, I only experienced a drop of the ocean.


Getting to Glasto two days late isn't always ideal, however wading through the crowds on Friday with our camping gear made us all that little more excited to pitch up our tents and join everyone! As soon as we popped up our tents and splashed ourselves in glitter we were ready for our first day.


After exploring the famous Stone Circle, meeting some welcoming hippies and joining their sing-a-longs, we decided to go and see some live acts. Starting off at the Pyramid Stage, Mary J Blige belted out a class rendition of No Drama, Family Affair and Just Fine (a personal fave); even as the imminent rain began fans didn't have a care in the world as she stomped her sassy self on stage delivering pitch perfect performances. Later on at the same stage, surprise guests The Libertines smashed out a historical delivery of their greatest hits much to Indie fans pleasure. As the sun began to set into a peach-hued dusk, I had to catch the last half of Jamie XX's live performance over at The Park stage. Jamie XX's set really took audiences on an emotional journey from starting with the light-hearted Good Times to the euphoric Gosh and ending the set with the sublime Loud Places. As the sun set and there was no more colour left in the sky, Loud Places set the first night of Glastonbury to be a gloriously moving and powerful start. This moment, hands down, was the ultimate highlight of my Glastonbury experience.

Stone Circle
As the live performances drew to a close, festival-goers that weren't quite ready to go back to their tents headed down to Shangri-La/Block 9 where places like NYC Downlow and Genosys were based. We headed straight to NYC Downlow to catch Hercules and Love Affair with Point G following straight afterwards, all the while surrounded by fierce and foxy drag queens - the perfect way to release your own inner Queen!

On Saturday arguably the coolest guy on earth, Pharrell Williams, took to the Pyramid stage with a joyous feel-good performance of sing-a-long chart toppers, all the way from his N.E.R.D In Search Of days to his recent tracks such as Freedom and Happy. Audiences of all ages crammed together to focus on the star's uplifting renditions filled with dance inducing spirit. Following shortly after, the self-proclaimed "greatest living rock star on the planet", also known as Kanye West, delivered a controversial (as predicted) but entertaining show. From his opening performance of Stronger, Kanye won the audience over as fans shouted along to the lyrics. Whether you love the guy or hate him, the Pyramid stage was at its peak as all festival-goers packed together to watch the most anticipated performance of the weekend. 


Unfortunately for us, we had to leave Sunday afternoon due to work (boooo!). However, we did manage to finish our Glasto experience by watching the infamous and charming Lionel Richie. His performance was just as you would expect - full of energy, soul and just darn wonderful!! Of course he sang all his classics from Hello to All Night Long. We all jumped and cheered to the classics that everyone in the audience knows and loves. I couldn't have asked for a better way to end the festival.


There's no doubt that I will be visiting Glasto for years to come. The TV highlights don't capture the organisers' effort into the whole décor - places like Shangri-La are great to end the night with. A particular highlight for me was stumbling across a tiny drum and bass room in Shangri-la's Hell. The room had me as soon as the DJ played Ltj Bukem's Atlantis! 


Glasto is huge; so you have to be tactical choosing who you want to see and plan your days ahead if you want to see certain artists. It is a lot of hard work, however if you don't plan your days (like us) we were lucky enough to discover a unique artist that I had never heard of before - Akua Naru. The talented Naru drew me in with her hip-hop sounds and soul-jazzy elements. An incredible artist who I was so happy to find at a festival as big as Glasto.

Going to Glastonbury never interested me in previous years. However, I now know why most people label it their favourite festival. The fact that it is so large means that there is something there for everyone. Glasto you've officially converted me into a massive fan!


Tania x

Tuesday, 11 August 2015

Gottwood Festival: A weekend spent in an enchanting paradise...


After attending Gottwood last year and being taken aback by the incredible music and stunning scenery, there was no doubt that I would begin this year's festival season in Wales' very own boutique music & arts festival. Tucked away in an Anglesey forest, the festival has a secluded, untouched and intimate feel - a hidden gem given today's festival culture.


Gottwood is a truly idyllic festival for real-life escapism. Being set within
a beautiful country estate boasting woods and a lake, the festival had transformed the aesthetically pleasing surroundings into a mind-warped world through its engrossing art installations. You immediately appreciate the work put into the creation of the festival. Each stage had its own personality; one shaped in a wooden mask, another a wooden owl and even a caravan with the iconic Gottwood owl spray-painted on. A favourite installation of mine was the laser dome - a small tent hidden at the back of the woods that projected red lasers in absolute darkness alongside hypnotic techno. The dazed and bewildered faces escaping the tent was a priceless sight!


Owl Stage
Laser Dome
We were extremely lucky with the blazing sunshine - my days were spent frolicking the woods and lake listening to live performances from the likes of Seven Davis Jnr. I found myself spending most afternoons exploring the woods with each day being contrastingly different from the next. One afternoon highlight for me was Soul Clap's four hour set at the caravan stage. I couldn't have asked for anything better - dancing to the best music with the most overwhelming, beautiful and intimate vibe. Dropping their very own tracks such as their remix of Secaina Hudson's I Ain't With You with classic tunes such as Street Life and I'm Every Woman proved to be the perfect recipe for a Sunday afternoon. A festival memory to rival all others.




The music was at its best yet, with a line up consisting of ground-breaking DJ's such as Zip, Move D and Point G. On Saturday I headed down to the woods to watch Move D deliver one of my favourite sets of the whole weekend. Move D effortlessly mixed a range of eclectic tunes from Leon Vynehall's It's Just (House of Dupree), to Etienne De Crecy's Prix Choc and even The Streets' Has It Come To This? It's fair to say that this was one of the best sets, taking ravers through a late-night journey of honourable beats. The daytime flowed effortlessly into night at Gottwood, upbeat vibes in the sun seamlessly turned into the sets more suitable for the oncoming darkness, with the atmosphere reflecting this perfectly.




A seven-hour seamless set from Ben UFO B2B Craig Richards on Sunday was a stand-out for every music head around. Playing in the walled garden, clouds hung from the tent amongst the crowd who were mutually feeding off the techno duo in their absolute element. Unfortunately, it was a bit unanimous that Motor City Drum Ensemble's set left alot to be desired. Maybe I've fallen a victim to seeing him too many times, but the set sounded all too familiar and was unsupported by a lack lustre sound system. Combined with an over-flowing crowd (which seemed to slowly dissipate to alternative stages as it progressed), a set which I hoped had all the ingredients to be a festival highlight ended up falling surprisingly short. The only hiccup at an otherwise flawless weekend.




It felt like anything was possible at Gottwood. The benevolent vibe seemed to bless us with the sun and a unique mutual family love for fellow festivallers. By Sunday everyone seemed to know their 5,000 neighbours. It's impossible to go to Gottwood and not fall in love with the setting, music and crowd in their full regalia. The festival was out of this world. Describing Gottwood so succinctly doesn't do it's magic justice, take my word for it and experience its paradisical beauty for yourself.

 





Tania x